Synth-Pop · 2000s

Synth-Pop loudness in the 2000s

-11 Median integrated LUFS
-21.5 to -6.9 Range
164 Tracks

Loudness distribution

-22 to -21 LUFS: 1 track-21 to -20 LUFS: 0 tracks-20 to -19 LUFS: 0 tracks-19 to -18 LUFS: 0 tracks-18 to -17 LUFS: 0 tracks-17 to -16 LUFS: 1 track-16 to -15 LUFS: 1 track-15 to -14 LUFS: 5 tracks-14 to -13 LUFS: 12 tracks-13 to -12 LUFS: 14 tracks-12 to -11 LUFS: 44 tracks-11 to -10 LUFS: 34 tracks-10 to -9 LUFS: 26 tracks-9 to -8 LUFS: 10 tracks-8 to -7 LUFS: 13 tracks-7 to -6 LUFS: 3 tracks -22 LUFS -14 LUFS -6 LUFS

Dynamic range distribution

10 to 11 DR: 10 tracks11 to 12 DR: 22 tracks12 to 13 DR: 15 tracks13 to 14 DR: 49 tracks14 to 15 DR: 42 tracks15 to 16 DR: 17 tracks16 to 17 DR: 5 tracks17 to 18 DR: 2 tracks18 to 19 DR: 1 track19 to 20 DR: 1 track 10 DR 15 DR 20 DR

Loudest and quietest

Loudest: Slow Jam
New Order
-6.9 LUFS
Quietest: Elegia (Glastonbury Festival 6.19.87)
New Order
-21.5 LUFS

Most-represented engineers

Tim Young
n=10 · median -7.8 LUFS

Other decades

← Synth-Pop in the 1990s · Synth-Pop in the 2010s →

This database is hand-curated and not exhaustive — treat this cohort as a sample of 164 measured tracks, not a survey of every Synth-Pop release from the 2000s.