Synth-Pop · 1990s

Synth-Pop loudness in the 1990s

-12.2 Median integrated LUFS
-24.6 to -6.8 Range
111 Tracks

Loudness distribution

-25 to -24 LUFS: 1 track-24 to -23 LUFS: 0 tracks-23 to -22 LUFS: 0 tracks-22 to -21 LUFS: 0 tracks-21 to -20 LUFS: 0 tracks-20 to -19 LUFS: 0 tracks-19 to -18 LUFS: 1 track-18 to -17 LUFS: 5 tracks-17 to -16 LUFS: 4 tracks-16 to -15 LUFS: 8 tracks-15 to -14 LUFS: 8 tracks-14 to -13 LUFS: 15 tracks-13 to -12 LUFS: 20 tracks-12 to -11 LUFS: 12 tracks-11 to -10 LUFS: 14 tracks-10 to -9 LUFS: 10 tracks-9 to -8 LUFS: 10 tracks-8 to -7 LUFS: 2 tracks-7 to -6 LUFS: 1 track -25 LUFS -16 LUFS -6 LUFS

Dynamic range distribution

10 to 11 DR: 1 track11 to 12 DR: 4 tracks12 to 13 DR: 8 tracks13 to 14 DR: 19 tracks14 to 15 DR: 15 tracks15 to 16 DR: 23 tracks16 to 17 DR: 22 tracks17 to 18 DR: 9 tracks18 to 19 DR: 7 tracks19 to 20 DR: 2 tracks20 to 21 DR: 0 tracks21 to 22 DR: 1 track 10 DR 16 DR 22 DR

Loudest and quietest

Loudest: Barrel of a Gun
Depeche Mode
-6.8 LUFS
Quietest: Junior Painkiller
Depeche Mode
-24.6 LUFS

Most-represented engineers

Kevin Metcalfe
n=20 · median -11.7 LUFS
Mike Marsh
n=12 · median -8.9 LUFS
Stephen Marcussen
n=10 · median -11 LUFS

Other decades

← Synth-Pop in the 1980s · Synth-Pop in the 2000s →

This database is hand-curated and not exhaustive — treat this cohort as a sample of 111 measured tracks, not a survey of every Synth-Pop release from the 1990s.