Acid Jazz loudness in the 1990s

-15.6 Median integrated LUFS
-18.4 to -9.9 Range
26 Tracks

Loudness distribution

-19 to -18 LUFS: 3 tracks-18 to -17 LUFS: 6 tracks-17 to -16 LUFS: 3 tracks-16 to -15 LUFS: 2 tracks-15 to -14 LUFS: 1 track-14 to -13 LUFS: 1 track-13 to -12 LUFS: 7 tracks-12 to -11 LUFS: 1 track-11 to -10 LUFS: 1 track-10 to -9 LUFS: 1 track -19 LUFS -14 LUFS -9 LUFS

Dynamic range distribution

11 to 12 DR: 2 tracks12 to 13 DR: 1 track13 to 14 DR: 1 track14 to 15 DR: 6 tracks15 to 16 DR: 2 tracks16 to 17 DR: 5 tracks17 to 18 DR: 4 tracks18 to 19 DR: 2 tracks19 to 20 DR: 3 tracks 11 DR 15 DR 20 DR

Loudest and quietest

Loudest: Gibby Music (Gospel Oak dub)
Various Artists
-9.9 LUFS
Quietest: How Sweet It Is
Various Artists
-18.4 LUFS

Most-represented engineers

Other decades

Acid Jazz in the 2000s →

This database is hand-curated and not exhaustive — treat this cohort as a sample of 26 measured tracks, not a survey of every Acid Jazz release from the 1990s.